Fungal cities subterranean
Curve the forest floor
We walk on this sunken mystery
Trunks bursting through the moss from our love (Should I soften the blow of life on him ?)
(Cottonwool cocoon him ?)

His capacity for love is enormous
His vibrant optimism happens to be my faith too
[Verse 2]
His body calligraphs the space above my bed
Horizontal signature on my skin (I’m raptured, I’m raptured)
I’m in rapture, ooh
Perfumed velvet darkness (Should I soften the blow of life on him ?)
(Should I soften the blow of life on him ?)
(Cottonwool cocoon him ?)

His capacity for love is enormous
His celebrational intelligеnce is ridiculous
His capacity for love encouragеs me to have
Capacity for love (Is enormous)

His vitality repolarises me
My north-south, swifts to east-west

Capacity for love (For love)
Capacity for love
Capacity for love (Love)
Capacity for love (For love, capacity)
Capacity for love (Capacity for)
Capacity for a love

Fungal City

2022

Titre de Fossora à paraître le 30 septembre 2022.

Après Blissing me, c’est son second duo avec Serpentwithfeet.

The music of the children’s-book author Thorbjørn Egner—a Norwegian analogue to Dr. Seuss, Björk said—partly inspired the merry woodwinds on tracks such as “Fungal City.” But Björk wanted her sextet of clarinetists to do an “adult” and “erotic” take on that style befitting the intimacy of her lyrics : “His body calligraphs the space above my bed / Horizontal signatures on my skin.”
Such lyrics may make listeners curious about who she is dating, but Björk is keeping that info quiet. When she became a celebrity in the ’90s, “there were moments where I went with the flow and overshared. And I learned very quickly, nobody’s happy. The press, they don’t get what they want. You don’t get what you want. The person you love, they’re fucked up.” But now, “I’ve learned where I can be very, very vulnerable in sharing, like a lot of these lyrics already are,” she said. “But I choose the sentences well.”
“Fungal City” features the experimental soul singer Serpentwithfeet, who is an example of Björk’s influence on a rising class of queer artists. For LGBTQ listeners, she speculated, “there’s not a lot of mirrors you can see yourself in, especially in some societies. But then, when you see a matriarchal thing”—such as Björk’s music—“it’s probably reassuring.”

The Atlantic

Collaborateurs

  • Serpentwithfeet​