- Ancestors
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos du titre
- Björk à propos du titre Ancestors
- Björk à propos du titre Ancestors
- Björk à propos du titre Desired Constellation
- Björk à propos du titre Miðvikudags
- Björk à propos du titre Oceania
- Björk à propos du titre Oceania
- Björk à propos du titre Öll Birtan
- Björk à propos du titre Pleasure Is All Mine
- Björk à propos du titre Show Me Forgiveness
- Björk à propos du titre Sonnets / Unrealities XI
- Björk à propos du titre Submarine
- Björk à propos du titre Triumph Of A Heart
- Björk à propos du titre Vökuró
- Björk à propos du titre Vökuró
- Björk à propos du titre Where Is The Line ?
- Björk à propos du titre Who Is It
- Björk au sujet de Robert Wyatt
- Bogdan Raczynski à propos du titre Who Is It
- choosing collaborators
- collaborations
- creating now she wanted to do before
- Desired Constellation
- Desired Constellation
- dowing two albums in a row
- encouraging the other artists
- going back in time
- guest-artists
- inspiration
- ll Birtan
- Matmos à propos du titre Mouth’s Cradle
- Medulla being physical
- Medulla being pop music
- Medúllas character
- Mike Pattons growling on Where is the line
- Miðvikudags
- Mouth’s cradle
- Mouths Cradle
- Mouths Cradle
- no instruments
- noises
- Oceania
- Oceania
- Oceania
- Oceania
- Oceania
- operatic songs
- Pleasure is all mine
- recording all over the world
- refusing to be categorized
- religion and patriotism
- removing instruments
- removing instruments
- Show me Forgiveness
- Show me forgiveness
- Sonnets / Unrealities XI
- Sonnets/Unrealities XI
- Submarine
- the character Medúlla
- the effect of pregnancy
- the inspiration for Medúlla
- the instrument she knows best
- the microphone she used
- the mood of the album
- the mood of the album
- The Pleasure Is All Mine
- the quest for love
- the word Medulla
- throat singing
- touring Medúlla
- Triumph of a Heart
- Triumph of a Heart
- using real drums
- using the Inuit choir again
- using voices
- visuals for the album
- vocals
- voices
- Vökuró
- wanting Beyoncé on Medúlla
- what Medúlla is
- Where is the line
- Where is the line
- Where is the Line
- Who is it
- Who is it
- Who is it
- why she chose vocals-only
- working more with voices in the future
- working on the next album immediately
- working with vocalists
- working without instruments
Miðvikudags
I just nicknamed it "Miðvikudags", which means wednesday...s, it was basically because I did it on a wednesday — sometimes you don’t know what to call them, you know. This is similar to me with "Öll Birtan" — that it’s like a little interlude and maybe shows where this whole tree came from, that it’s from me being 18, or even younger - being ike 10, and having two rubbish tape recorders and recording my voice into one, and then recording on the other one, the tape recorder and me, adding a voice on top, and then back, playing with a teaspoon on an ashtray or something. Kind of just back to that, and there’s no words in this one either, it’s just gibberish.
XFM interview, August 25 2004
