The original performances were a pretty analog experience, but I worked on this a lot in Pro Tools. Whatever Leila was doing had also leaked into my microphone, so you had to basically do crossfades to blend the vocal and effects. I think there are ten edits in it, using maybe six or seven concerts. We could have gone back into the studio and recorded it again, but I wanted that live, urgent feeling, because the majority of the movie is very subdued. I thought the mood needed that kind of raw energy.

The Winter 2006 edition of DigiZine