{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"About.com","author_name":"sofftchevaliers","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/About-com-2000","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/About-com-2000'\u003EAbout.com\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EPart 1 : My Favorite Things on Death Row \n\u003Cbr class='autobr' \/\u003E\nFull disclosure : I\u2019m a sucker for musicals. Like Selma, the heroine in Lars von Trier\u2019s new movie Dancer in the Dark, I grew up in a dour and grey European country (well—Germany), starry-eyed with Hollywood fantasies, Busby Berkeley, Fred Astaire, and Steven Sondheim. For me, the age-old question of all musical skeptics, “Why the hell do they break into song ?” was never a mystery. I thought it would be wonderful if suddenly, all the world knew the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}