{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Clash Music","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Clash-music-com-critique-biophilia","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Clash-music-com-critique-biophilia'\u003EClash Music\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EOnce you strip back all of the collaborations, soundtracks and remix projects, \u2018Biophilia\u2019 is actually only Bj\u00f6rk\u2019s seventh solo studio album. Fresh from the throat-singing and beat-boxing of the unfairly maligned behemoth that was \u2018Medulla\u2019, and 2007\u2019s \u2018Volta\u2019, which sounded like the building of an industrial fridge, it is a relatively straight-forward affair. Although, everything is relative when it comes to Bj\u00f6rk, having given the album its name because she thought the word meant “feeling (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}