{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Entertainment Weekly","author_name":"","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Entertainment-Weekly-1997","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Entertainment-Weekly-1997'\u003EEntertainment Weekly\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ENew Bj\u00f6rk Times :  Can Techno and Classical coexist ? Can alt-rockers age with an edge ? Homogenic answers yes to both Questions. \n\u003Cbr class='autobr' \/\u003E\n The current crop of “women in rock”—a trend roughly two decades old, but never mind—yap constantly about dismantling musical and sexual boundaries. But only Bj\u00f6rk puts her money where her Icelandic mouth is. As a member of the Sugarcubes in the \u201880s, she helped pull alt-rock out of its guitar-jangle rut and into quirkier, more rhythmic areas, and since the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}