{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Entertainment Weekly","author_name":"","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Entertainment-Weekly-2004","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Entertainment-Weekly-2004'\u003EEntertainment Weekly\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBj\u00f6rk\u2019s new album is her most audacious yet—The Icelandic songstress talks about the reason “Medulla” is almost entirely free of instruments \n\u003Cbr class='autobr' \/\u003E\n Bj\u00f6rk Gu\u00f0mundsd\u00f3ttir is sitting upstairs in a quiet restaurant in Reykjav\u00edk, just around the corner from the city\u2019s central Austurv\u00f6llur square and the H\u00f3tel Borg, where in the \u201880s she and her mates whooped it up as progenitors of Iceland\u2019s fledgling punk scene. These days, the now-stately Borg harbors few radicals, and the square, lined with (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}