{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Entertainment Weekly Online","author_name":"","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Entertainment-Weekly-Online-2004","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Entertainment-Weekly-Online-2004'\u003EEntertainment Weekly Online\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBj\u00f6rk and Lars von Trier didn\u2019t really see eye to blind eye when he directed her in “Dancer in the Dark” a few years back, but the mercurial singer might have absorbed more of the contrary filmmaker\u2019s ethos than she realized. With his Dogma 95 “Vow of Chastity,” von Trier dismissed supposed artificialities like sets, props, and scoring. In the similarly austere yet extravagant Med\u00falla, Bj\u00f6rk ditches bourgeois frills like strings and drum machines in favor of, exclusively, the human voice. (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}