{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Interview Magazine","author_name":"","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Interview-Magazine-2004","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Interview-Magazine-2004'\u003EInterview Magazine\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EWith an experimental new vocal album, one of pop music\u2019s great explorers continues to venture into uncharted waters. Here, she talks living on the edge with a fellow avatar of the avant-garde \n\u003Cbr class='autobr' \/\u003E\n So, Bj\u00f6rk, I love your new record, Med\u00falla [Elektra\/Atlantic]—especially some of the words. The song “Sonnet” sounds like the kind of thing 17th-century poets like John Donne or Andrew Marvell would have written. What did you have in mind there ? \n\u003Cbr class='autobr' \/\u003E\nActually, there are two lyrics on the album that are (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}