{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"NME ","author_name":"sofftchevaliers","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/NME-Utopia-Review-%E2%98%85%E2%98%85%E2%98%85%E2%98%85","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/NME-Utopia-Review-%E2%98%85%E2%98%85%E2%98%85%E2%98%85'\u003ENME \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBjork\u2019s magical ninth mixes up female flute choirs and sounds of the natural world \n\u003Cbr class='autobr' \/\u003E\n The last material we heard from Bj\u00f6rk was a bit of downer, wasn\u2019t it ? 2015\u2019s \u2018Vulnicura\u2019 was a sweeping, majestic break-up album that saw her creating a raw, emotive narrative within her otherworldly soundscapes. It was incredible, but damn it was gloomy. Happily, the febrile \u2018Utopia\u2019 sees her on more upbeat \u2013 but no less creative \u2013 form, coming on like new age titan Enya if she signed to Hyperdub, home of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}