{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"New York Post","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/New-York-Post-5-fevrier","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/New-York-Post-5-fevrier'\u003ENew York Post\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EIceland\u2019s eccentric musical pixie, Bjork, bridges the science of the natural world with the magic of music in her latest project, “Biophilia,” that made its US concert debut in Queens on Friday. It was the first of six performances at the New York Hall of Science\u2019s auditorium, a towering, chapel-like structure totally constructed of deep blue stained-glass blocks. In that majestic setting, the singer took on the role of high priestess of sound, with a 20-woman choir of barefooted vestal (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}