{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Noisey","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Noisey-bjork-utopia-2017","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Noisey-bjork-utopia-2017'\u003ENoisey\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EOn \u2019Utopia,\u2019 the Icelandic icon doubles down on her triad melodies and her quasi-ASMR obsession. \n\u003Cbr class='autobr' \/\u003E\nThis is a column called Major Keys written by Phil Witmer, the only actual musician employed by Noisey. It\u2019s about timbres, theory, chords (lots of \u2019em), and how these nerdy qualities make us feel things. \n\u003Cbr class='autobr' \/\u003E\n If Bj\u00f6rk\u2019s new album  Utopia proves anything, it\u2019s that her music is inherently unable to be covered. It\u2019s not because most singers can\u2019t match her vocal acrobatics or because the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}