{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"PopMatters","author_name":"","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/PopMatters-2003","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/PopMatters-2003'\u003EPopMatters\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ECompletion of a great work-of-art cannot be easily matured by instinct alone. This is especially when many hands are involved in fashioning the project. Is there really such a thing as a complete work of art, anyway ? Perhaps a musical compilation of an artist who\u2019s garnered an explicitly avant-garde career should not display the near-sighted accessories of musical potential, i.e. illuminating the experiment rather than the complete work. Wagner coined the term as Gesamtkunstwerk. In other (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}