{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Prefix Magazine","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Prefix-Magazine,1789","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Prefix-Magazine,1789'\u003EPrefix Magazine\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBj\u00f6rk\u2019s always been a performer with a lot of ideas. These ideas haven\u2019t necessarily been in the fore of all of her output, or the general reaction to it (it\u2019s odd to think now, of how often Bj\u00f6rk was described in the music press with something like \"Icelandic sex kitten\"), but they\u2019ve always been there. At the same time, Bj\u00f6rk\u2019s largely been described as a \"pop\" artist, and pop music typically requires artists to deal in certain forms and styles that aren\u2019t necessarily meant to engage (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}