{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Reverse Shot","author_name":"","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Reverse-Shot","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Reverse-Shot'\u003EReverse Shot\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EIs Dancer in the Dark really a musical ? The story of impoverished single mother and factory drone Selma (Bj\u00f6rk), rapidly losing her eyesight, and working to save money for an operation for her similarly afflicted son Gene and their subsequent run-in with the law lends itself more to classical tragic opera conventions than those of Hollywood musicals. To paraphrase Rick Altman, the signs of the musical form are not matched by the syntax—two filmmaking modes from different sides of the tracks (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}