{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Economist (blog)","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/The-Economist-blog-22-novembre","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/The-Economist-blog-22-novembre'\u003EThe Economist (blog)\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EBJ\u00d6RK GU\u00d0MUNDSD\u00d3TTIR laughs a lot. In conversation, these outbursts are the only moments when she doesn\u2019t sound like \"Bj\u00f6rk”, the pop star once described as \"the most famous Icelander since Leif Erikson\" by Alex Ross of the New Yorker. Otherwise, she trills in the same register as she sings, with a Nordic inflection that lilts and rolls. Hers is a voice made for dreams and torch songs. The laugh keeps things grounded. \n\u003Cbr class='autobr' \/\u003E\nOutside Iceland, many first heard Bj\u00f6rk in a single called “Birthday”, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}