{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Wall Street Journal","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/Wall-Street-Journal","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/Wall-Street-Journal'\u003EWall Street Journal\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EFor her album “Biophilia,” Bj\u00f6rk and her team invented new instruments to challenge and stimulate listeners as they ponder the disk\u2019s theme, the exploration of the natural world.  In concert last night at the Harpa Concert Hall in Reykjavik, Iceland, the city where she was born in 1965, Bj\u00f6rk demonstrated how well these instruments can serve her songs \u2013 and not only those from her new release. \n\u003Cbr class='autobr' \/\u003E\nPerforming in the round before about 850 loyalists, Bj\u00f6rk explored the new album in depth, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}