{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"belfasttelegraph.co.uk","author_name":"aifol","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/belfast-telegraph-Utopia-album-week","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/belfast-telegraph-Utopia-album-week'\u003Ebelfasttelegraph.co.uk\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EIt\u2019s been two years since Bjork released her heartbreak album Vulnicura to critical acclaim and her follow-up Utopia is equally sure to win over hearts, broken or otherwise. In a reversal of tone, Utopia re-appropriates Vulnicura\u2019s imagery of closing wounds into a powerful declaration of renewed openness to the world. Bjork offers a mission statement of sorts in Loss, saying, &#8220;How we make up for (loss) defines who we are&#8221;, and, in Utopia, she offers tools of recovery in repetitions of her&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}