{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Spin","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/bjork-spin-utopia-review","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/bjork-spin-utopia-review'\u003ESpin\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAt one point during “Body Memory,” the sprawling main attraction of Bj\u00f6rk\u2019s tenth album Utopia, the Icelandic singer-songwriter seems to illustrate a central theme of the album, while at the same time doubting her fitness for the artistic project she is undertaking. “Oh, how to capture all this love \/ And find a pathway for it \/ Like threading an ocean through a needle ?” she sings. At the lowest level of abstraction, Utopia is an album about love arriving in unexpected and overpowering (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}