{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"The Arts Desk","author_name":"aifol","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/royal-albert-hall-The-Arts-Desk-review","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/royal-albert-hall-The-Arts-Desk-review'\u003EThe Arts Desk\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ECan the Icelander\u2019s voice and chamber ensemble fill the Albert Hall ? \n\u003Cbr class='autobr' \/\u003E\n I\u2019ll be straight : I wasn\u2019t sure what to expect at this show, because I\u2019ve never been a Bj\u00f6rk fanatic as such. I loved \u2013 and saw live \u2013 The Sugarcubes as a teenager, I\u2019ve raved to her Nineties Debut and Post era tracks, and I\u2019ve enjoyed plenty more since, not least the intimacies of Vespertine [2001] and the wild expansiveness of Volta [2007]. I\u2019ve been impressed with her choices of collaborator, and always considered (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}