{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Telegraph.co.uk","author_name":"benjicok","width":"480","height":"315","url":"http:\/\/www.bjork.fr\/telegraph-bjork-utopia-review-2017","html":"\u003Ch4 class='title'\u003E\u003Ca href='http:\/\/www.bjork.fr\/telegraph-bjork-utopia-review-2017'\u003ETelegraph.co.uk\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EUneasy listening&nbsp;: Bj\u00f6rk\u2019s 10th solo album demands your full attention \n\u003Cbr class='autobr' \/\u003E\nFirst, a confession. The idea of Bj\u00f6rk\u2019s 10th solo album filled me with trepidation. The 52-year-old Icelander is an artist of vision and skill, her music unlike anyone else\u2019s. She can be moving, amusing, inspiring and overwhelming. But she is not always a pleasure to listen to, especially when, as here, she completely untethers herself from the formal conventions of songwriting. And whatever else Bj\u00f6rk\u2019s new album is,&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}