- "Björks Affairs"
- an image of modern life
- being selfish
- Big Time Sensuality
- Come to me
- conflicts
- cultural differences
- Debut being a success
- Debut being a success
- Debut being a virgin
- Debut being happy
- Debut being strong
- doing better
- doing Debut
- doing her own material
- doing it live
- doing it live
- doing the album on your own
- foreseeing her Debut
- her first show
- her label warning her
- Human behaviour
- Human Behaviour
- Human Behaviour
- influences
- Jean Baptiste Mondino à propos de la couverture de Debut
- London influence
- making Debut
- making Debut
- making money
- nostalgia
- not having high expectations
- not trying to please anyone
- Play Dead
- Play Dead
- promoting Debut
- recording Debut
- recording it secretly
- remixes of Debut
- saying goodbye to rock
- something to be proud of
- success
- success
- The Anchor Song
- The Anchor Song
- The Anchor song
- the next album
- the style of Debut
- the style of Debut
- the video for Big Time Sensuality
- the video for Big Time Sensuality
- the video for Human Behavior
- There’s a great lyric on Big Time Sensuality :
- three different aspects of Debut
- using old material on Debut & Post
- Venus As A Boy
- Venus As A Boy
- Venus As A Boy
- Violently Happy
- Violently Happy
- what Debut is about
- what Debut is about
- what she thinks of Debut in 2005
- whats next
- why it is called Debut
- why it took so long to do Debut
- working with Talvin Singh
the style of Debut
It’s more like I’m inviting someone over to my own house, where everything is just as I want it to be. And it’s very private ; like I’m inviting just that one person to come into my bedroom and showing him or her my things and the maybe cooking a little meal for us.
When I decided to do this album, I found that I had piles of songs from way back.
Björk had originally intended to record the songs with a variety of producers.
I wanted to have all these different flavours. The most important thing was going to be my songs, as opposed to what style they were done in.
Rolling Stone, september 1993