{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Slant Magazine ","author_name":"sofftchevaliers","width":"480","height":"315","url":"https:\/\/www.bjork.fr\/slant-magazine-Vulnicura","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.bjork.fr\/slant-magazine-Vulnicura'\u003ESlant Magazine \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E\"Find our mutual coordinates,\" Bj\u00f6rk coos on \"Stonemilker,\" the ravishing avant-classical opening salvo of her new album, Vulnicura. It\u2019s a sentiment of direct romantic longing as translated by a singer fascinated by the measurable forces that move people and the world surrounding them—and nothing surprising from the multimedia enthusiast behind 2011\u2019s Biophilia, an album with song titles like \"Mutual Core\" and \"Cosmogony.\" But if Bj\u00f6rk, thematically, doesn\u2019t appear to have changed station, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}