Björk à propos de la pochette de Utopia

Me and James Merry started talking about it a year or so ago and I was talking about how it was kinda sci-fi – arriving on an island after some sort of apocalypse and starting anew. So like an optimistic moist rainforest mood. There would be some sort of mutation, like birds that become flutes that become synths that become human. And somehow – as in all beginnings – somehow erotically charged but not in the traditional sense : more in the energy. I wanted it to be peach and light seagreen and somehow try to capture that magic of sunrises and sunsets. It needed to have some sort of warped twist. Like the borderline aggressive optimist.