in lionsong i had rented a cabin just outside reykjavik
in heidmörk. and i was walking in
the protection of the trees
opening up my throat and
tilting my head back thinking
i wanted maximum air to flow
through my body and without
hindrance out of my mouth.
i spent aeons on the string arrangement
based on vocal improvisations..
i guess i wanted to move up a step
with my arrangements and base
them more on the narrative form
of my voice rather than background chords.
the arrangement is probably also
influenced by the crooked birch forest
i was walking through.
first song in human scale trees
after the galactical scale of biophilia

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