- "Björks Affairs"
- an image of modern life
- being selfish
- Big Time Sensuality
- Come to me
- conflicts
- cultural differences
- Debut being a success
- Debut being a success
- Debut being a virgin
- Debut being happy
- Debut being strong
- doing better
- doing Debut
- doing her own material
- doing it live
- doing it live
- doing the album on your own
- foreseeing her Debut
- her first show
- her label warning her
- Human behaviour
- Human Behaviour
- Human Behaviour
- influences
- Jean Baptiste Mondino à propos de la couverture de Debut
- London influence
- making Debut
- making Debut
- making money
- nostalgia
- not having high expectations
- not trying to please anyone
- Play Dead
- Play Dead
- promoting Debut
- recording Debut
- recording it secretly
- remixes of Debut
- saying goodbye to rock
- something to be proud of
- success
- success
- The Anchor Song
- The Anchor Song
- The Anchor song
- the next album
- the style of Debut
- the style of Debut
- the video for Big Time Sensuality
- the video for Big Time Sensuality
- the video for Human Behavior
- There’s a great lyric on Big Time Sensuality :
- three different aspects of Debut
- using old material on Debut & Post
- Venus As A Boy
- Venus As A Boy
- Venus As A Boy
- Violently Happy
- Violently Happy
- what Debut is about
- what Debut is about
- what she thinks of Debut in 2005
- whats next
- why it is called Debut
- why it took so long to do Debut
- working with Talvin Singh
what Debut is about
It’s very hard to say just what it’s about. I’d like it to be a statement of individuality. But I’ve still got a long way to go, so I’m a bit confused, because I just know I can do so much better than this record...
If you went out somewhere and had a really good time, you don’t wake up the next morning and try to figure out why you did. It’s not because of anything. It’s just the atmosphere, the people, the chemistry of friends, your mood, what happened before, what will happen after. And you can’t explain it, and I don’t understand why you should. And it’s the same with songs.
The Face #62, november 1993